
The Mirror
Costume drama
2002-07-19 10:00
Life is too short for television, as a rule, but I have enjoyed the glimpses I've caught of the lavish BBC costume drama, The Way We Live Now. It's not the script or the story which fascinate me, entertaining as they are - the real pleasure is to be enveloped by a world that vanished more than a century ago. Television can be a time machine, catapulting the viewer back to a long-gone era. That explains the sudden popularity of those 'I Love The Seventies' shows - it's hard to believe that the whole decade wasn't some kind of costume drama itself. Did we really wear those loon pants? Was my hair that long?
Of course you don't need a budget of millions to recreate history. The whole production crew is in your head - your imagination.
Sometimes when I meditate, I imagine myself walking through history. Perhaps I am remembering a past life: I picture the stiff dark clothes of a Victorian gentleman, the tight leather shoes and the silk hat. Or I see myself in scarlet doublet and hose, with a sword at my belt and a magnificent codpiece.
I focus on the people that I meet, and their clothes, down to the smallest detail. In my mind, I dress my wife in gorgeous satins and furs, as she sweeps on my arm into a royal ball in the court of St Petersburg. I am wearing a splendid military uniform, ranks of medals on my breast to tell of the campaigns I have fought and won.
Meditation can certainly be about blending your consciousness with the vast oneness of the universe, but it can also be a tool to reinforce self-esteem and ambition. Above all, it must be fun - when your mind is happy, your whole body will be relaxed.
My imaginary adventures in Victorian England have led me to write a play, set in 1874, called The Ghost Stripped Bare. It's based on the real-life love affair between the scientist William Crookes and a spirit apparition, Katie King, who materialised at seances. I'll tell you more when it reaches the stage.
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